front cover of American Exceptionalism as Religion
American Exceptionalism as Religion
Postmodern Discontent
Jordan Carson
The Ohio State University Press, 2020
Jordan Carson’s American Exceptionalism as Religion looks at how American nationalist ideologies intersect with religious ones in contemporary literature. Carson traces out how an exceptionalist belief system began to emerge historically with a distorted picture of religious commitment. He then connects this trend to writers such as Don DeLillo, Ana Castillo, Thomas Pynchon, George Saunders, and Marilynne Robinson to argue that these authors dismantle the privatization of religion in their writing and then offer their own alternatives. Their work, he argues, redefines religion in terms of practice and discipline, gauging it by its power to ground and guide behavior, morality, and sociality.
 
As American exceptionalism resurfaces in public discourse, Carson’s timely work invites readers to reconsider the nexus of religion, politics, and culture. Carson argues that defining religion according to secularist criteria has insulated ostensibly secular ideologies as well as traditional religion from public scrutiny. DeLillo’s, Castillo’s, Pynchon’s, Saunders’s, and Robinson’s redefinitions of religion result in a better grasp of how individuals actually live out their religious lives. More importantly, these authors help erect a framework for constructively engaging American exceptionalism and the ideas that support it.
 
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front cover of Teller Tales
Teller Tales
Histories
Jo Carson
Ohio University Press, 2007

“All my work fits in my mouth,” Jo Carson says. “I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters’ voices … they are first to be spoken aloud.” Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can.

Both stories in this book are set in East Tennessee in the mid-eighteenth century and share certain characters. The first narrative, “What Sweet Lips Can Do,” recounts the story of the Overmountain Men and the battle of King’s Mountain, a tide-turning battle in the American Revolution. “Men of Their Time” is an exploration of white-Cherokee relationships from early contact through the time of the Revolution.

Although not well known to the outside world, the stories recounted in Teller Tales are cornerstones in the heritage of the Appalachian region and of American history. In ways that will appeal to young and old alike, Jo Carson’s irreverent telling will broaden the audience and the understanding for the stories of native Americans, settlers, explorers, and revolutionaries of early America.

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